Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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John William Waterhouse
Nymphs finding the Head of Orpheus (mk41)

ID: 25680

John William Waterhouse Nymphs finding the Head of Orpheus (mk41)
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John William Waterhouse Nymphs finding the Head of Orpheus (mk41)


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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | In the Peristyle | Psyche Opening the Golden Box | A Roman Offering | The Lady of Shalott | Circe Invidiosa |
Related Artists:
Percy tarrant
fl.1883-1904
mark tobev
Tropicalia, also known as Tropicalismo, is a Brazilian art movement that arose in the late 1960s and encompassed theatre, poetry, and music, among other forms. Tropicalia was influenced by poesia concreta (concrete poetry), a genre of Brazilian avant-garde poetry embodied in the works of Augusto de Campos, Haroldo de Campos, and Decio Pignatari, among a few others. However, Tropicalia is associated almost exclusively with the musical expression movement, both in Brazil and internationally, which arose from the fusion of several musical genres, like Brazilian and African rhythms and rock and roll.
MOLYN, Pieter de
English-born Dutch Baroque Era Painter, 1595-1661 Dutch painter, draughtsman and etcher of English birth and Flemish descent. His father, Pieter de Molijn, came from Ghent and his mother, Lynken van den Bossche, from Brussels. It is not known why they went to England, perhaps for employment rather than to avoid religious persecution. Pieter the younger apparently remained proud of his birthplace throughout his life






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